FRANCES BAER
The work of Life Magazine photographers
is a record of the history of American photojournalism
as well as the changing face of the world in the last half
of the 20th Century. JON BRENNEIS, LOOMIS DEAN, WAYNE MILLER,
and JOE MUNROE were among the first wave of LIFE photographers.
Back when we were all young in the Berkeley
Hills, Morley Baer and I drove convertibles. We would
frequently be coming down the hill in tandem in the predawn
as we
set out to be somewhere significant at dawnlight. Some days he was alone
with his big tripod sticking up in the back seat, and
some days he would be with
his wife Frances. Those were the days when he would be shooting “shelter
stuff” and Fran would be with him to see to it that the decorative cushions
were in the right place on the sofa. Her decorator’s eye was credited
with his success in those places. Years passed and Morley and Fran were
living at Garapata on the Big Sur coast on a rocky crag
above the waves. My wife, Aida, and I were returning from
Hollywood
and foolishly took Highway 1, which promptly became wet and drizzly. A
phone call to Garapata established that the Baers were
home, and we turned off and
bumped our way through the drizzle to the stone sanctuary where there were
Baers. We had prepared for the visit with a fresh bottle of Irish whiskey,
and when
we left, it was with a promise that we would return on a cold night and
finish the bottle. A year later we returned to find Old
Bushmill sitting out on the
kitchen table, still half full. So here’s to Frances Baer, a woman
of taste and distinction, a woman you could trust with your whiskey.
Jon Brenneis |

Photo Courtesy of Morton Beebe
Left to right: JON BRENNEIS, LOOMIS DEAN, WAYNE MILLER AND JOE MUNROE, participants
in The Pacific Center for the Photographic Arts panel discussion on February
28
|